How a French motorcyclist discovered the kindness and generosity of Riyadh

Special How a French motorcyclist discovered the kindness and generosity of Riyadh
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Samuel Muller in front of Maraya in AlUla. (Instagram@sampledworld)
Special How a French motorcyclist discovered the kindness and generosity of Riyadh
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What I remember most about Saudi Arabia is its people, said Samuel Muller. (Instagram@sampledworld)
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Updated 23 September 2023
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How a French motorcyclist discovered the kindness and generosity of Riyadh

How a French motorcyclist discovered the kindness and generosity of Riyadh
  • Account of Samuel Muller testifies to cultural characteristics passed down from generation to generation
  • Hospitality is an inherent characteristic of the Saudi people and a reflection of the Kingdom’s history and traditions

RIYADH: French motorcyclist Samuel Muller began his solo journey around the world by riding from France to India this year, stopping in more than 20 countries, including Saudi Arabia, on the way.

Like many Westerners who had never previously visited Saudi Arabia, Muller knew the country only as the home of Islam’s holiest sites.

But when he rode into the Kingdom in April, he was overwhelmed by the Saudi hospitality, generosity and welcome.

“What I remember most about Saudi Arabia is its people,” he said.

While traveling to Riyadh, Muller encountered a sandstorm that severely restricted visibility. Uncertain what to do, he decided to stop at the nearest town and search for a place to stay.

After an extensive online search, Muller managed to find what he believed to be a hotel. However, on arrival, he discovered that it was actually a family home.

“I asked if this is a hotel, and the guy standing said, not really, but come inside. I was hesitant at first, but he kept saying, ‘don’t worry, don’t worry,’” said Muller.

He added: “I was invited to coffee and tea, and had a conversation with the family about my trip. They were so happy to meet me and were very welcoming.”

The one-day stopover turned into a four-day visit with a Saudi family in Dawadimi town, west of Riyadh.

“During this time, I had the opportunity to explore the old town, and also meet their relatives and friends,” the motorcyclist said.

“With every passing day, they asked if I could stay for one more day. In the four nights I stayed with them, I learned a lot about the cultural richness of this country and the kindness of its people, I have never experienced anything like this before.”

Hospitality is an inherent characteristic of the Saudi people, and a reflection of the Kingdom’s rich history and traditions.

Whether it is offering guests the best food, drink and a place to stay, or simply sharing a cup of traditional Saudi coffee, Saudis will always embody the true spirit of hospitality.

“I feel proud to be the first among my friends to visit the Kingdom, explore its beautiful landscape, experience its rich culture and heritage, and get to know its wonderful people,” said Muller.

Saudi Arabian hospitality is deeply rooted in the country’s traditions and has been passed down from generation to generation. This sacred tradition has been faithfully observed for centuries.

Today, the Kingdom has become the most dynamic place for hospitality with the initiatives and projects undertaken as part of the 2030 Vision.


Backstreet Boys returning to Etihad Arena in Abu Dhabi in October

Backstreet Boys returning to Etihad Arena in Abu Dhabi in October
Updated 48 min 31 sec ago
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Backstreet Boys returning to Etihad Arena in Abu Dhabi in October

Backstreet Boys returning to Etihad Arena in Abu Dhabi in October
  • After a presale on Thursday, tickets go on sale to the general public on Friday at noon; prices start at 295 dirhams
  • The concert comes less than 18 months after their previous concert at the venue, which was part of their DNA World Tour

BEIRUT: Etihad Arena in Abu Dhabi will welcome back American group the Backstreet Boys on Oct. 23, less than 18 months after their previous concert there in May last year.
Tickets for the 2023 gig, which was part of their DNA World Tour, sold out within six hours, making it one of the fastest-selling arena shows in the UAE.
Emirati newspaper The National reported on Wednesday that Nick Carter, Howie Dorough, AJ McLean and Brian Littrell will perform but fellow member Kevin Richardson will be absent because of scheduling issues.
Presale tickets will be available on the Live Nation website on Thursday before general sales begin at noon on Friday. Prices start at 295 dirhams ($80).
In our review of last year’s DNA World Tour concert, Arab News described it as a polished show with high production values that was flawless from start to finish. We said the vocals were pitch perfect, the harmonies deep, strong and vibrant, and the dance moves smoother than butter. Band members also took plenty of time between songs to talk to the audience and among themselves, and the chemistry between them was clearly still strong.
At one point, Carter, who stole the show with his incredible solo showcases, especially on “Shape of My Heart,” stopped the show and said: “I have to say something. Honest to God, coming from me, Abu Dhabi is probably the most beautiful place I’ve been to in the entire world. We love it here. I think I’m going to buy a house here.”
In January the group, which formed in 1993 in Florida and found fame with debut album “Backstreet Boys” in 1996, were on fire when they performed in Riyadh, headlining the Diriyah E-Prix after-race concerts. They enthralled the crowd with their infectious energy, signature harmonies, and a set list packed with timeless tracks.

The Yazidi nightmare
Ten years after the genocide, their torment continues
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Princess Rajwa of Jordan leaves hospital with newborn Princess Iman

Princess Rajwa of Jordan leaves hospital with newborn Princess Iman
Updated 07 August 2024
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Princess Rajwa of Jordan leaves hospital with newborn Princess Iman

Princess Rajwa of Jordan leaves hospital with newborn Princess Iman

DUBAI: Princess Rajwa of Jordan was discharged on Wednesday after giving birth to Princess Iman on Aug. 3.

Rajwa, who has Saudi origins, left the hospital accompanied by her husband, Crown Prince Hussein bin Abdullah, and their newborn daughter.

 

 

The family was greeted by the hospital staff and members of the public as they departed.

The princess wore a long, flowy dress featuring a blue and white floral pattern. The dress had a shirt-style design with a collared neckline and long sleeves, giving it a casual yet elegant appearance.

The waist is slightly cinched, which added structure to the otherwise relaxed fit of the dress. Rajwa paired the dress with white sneakers.

The Yazidi nightmare
Ten years after the genocide, their torment continues
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Jessica Kahawaty showcases luxury watchmaker in latest collaboration

Jessica Kahawaty showcases luxury watchmaker in latest collaboration
Updated 07 August 2024
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Jessica Kahawaty showcases luxury watchmaker in latest collaboration

Jessica Kahawaty showcases luxury watchmaker in latest collaboration
  • Current tie-up is with leading Swiss manufacturer
  • Australian Lebanese model works with top brands

DUBAI: Australian-Lebanese model and entrepreneur Jessica Kahawaty has added another brand campaign to her portfolio, this time with Breitling.

This week, she took to Instagram to share photos from her collaboration with the Swiss luxury watchmaker. In the series of images, she is seen wearing the brand’s Superocean Automatic 36 watch.

This product features a white dial with multicolored hour markers, including shades of yellow, orange, green, blue, red and purple. The case is crafted from stainless steel, while the unidirectional rotating bezel is accented with rose gold.

The watch includes rose gold hands with luminescent material, ensuring visibility in low-light conditions. The second hand is green, aligning with the green text on the dial. The timepiece is fitted with a white rubber strap designed for comfort and durability.

The Superocean Automatic 36 offers water resistance up to 300 meters, making it suitable for diving.

“If summer was a watch, it would be the Superocean Automatic 36. A smaller, colourful and sunnier dial,” Kahawaty captioned her Instagram post.

In the pictures, Kahawaty wore a sleeveless crop top featuring a vibrant floral print in bold colors, paired with a high-waisted, long white skirt. The skirt is detailed with two large fabric roses on the hip.

She accessorized her outfit with a wide-brimmed white hat and white open-toe sandals featuring a bow detail.

The model has featured in campaigns for numerous international brands, including Boss, Versace, CH Carolina Herrera, Gucci, Tod’s and Boucheron.

Her most recent collaboration was with the British luxury cosmetics label Charlotte Tilbury.

The model appeared in a video campaign promoting the brand’s Love Frequency perfume, which is described as a floral woody musk fragrance for women and men.

Earlier this year, she unveiled her latest project with Boss. In March, she shared polaroid-style pictures from the shoot with her Instagram followers and wrote: “Double B, Every Me. Because there’s more than one way to be a BOSS.”

 

 

That same month, Kahawaty also showcased her collaboration with Versace for Ramadan, just days after working on a similar campaign with the New York-based label CH Carolina Herrera.

The Yazidi nightmare
Ten years after the genocide, their torment continues
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Review: Debut novel of Palestinian writer explores exile, displacement through the female body

Review: Debut novel of Palestinian writer explores exile, displacement through the female body
Updated 07 August 2024
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Review: Debut novel of Palestinian writer explores exile, displacement through the female body

Review: Debut novel of Palestinian writer explores exile, displacement through the female body
  • Yasmin Zaher’s ‘The Coin’ delves into power imbalances, consumerism, elitist nature of fashion and wealth

JEDDAH: The 2024 novel “The Coin,” is the dizzying debut of Jerusalem-born Palestinian writer Yasmin Zaher, which hones in on the female body, and is written in a stream-of-consciousness narrative style.

Titled after a shekel coin the unnamed female protagonist believes she swallowed as a child, and is rusting and decomposing in her, the novel is essentially about an affluent yet displaced woman’s exploration — on her own terms —  of the pain and pleasures of life.

Zaher writes about the unraveling, or rather the becoming, of a Palestinian woman who moves to New York City with the hope of starting life afresh as a schoolteacher.

The coin is “resurrected” here, amid the dirt and poverty that plagues the American city, which the protagonist describes as: “How could the devil be the dream?” It seems to manifest as discomfort, linking the traumas of the past to her present.

The narrator befriends a homeless, yet elegant man whom she gets embroiled with in a Birkin scam. This is an exploration of the cosmopolitan city life’s obsession with consumerism and materialism, as well as the performative and elitist nature of fashion and wealth.

With a closet full of designer pieces, the woman’s refined taste in fashion is a ruse to help her navigate societal expectations against the call of her inner self. She asks herself: “I wondered what my true essence would be, if I were solitary, in nature, untamed and unconditioned?”

She is from Palestine, which she describes as “neither a country, nor the third world, it was its own thing.”

Moving to the Big Apple in pursuit of home and her ideal self, this triggers obsessive cleaning rituals because the city “embraced the dirt like it was an aesthetic.”

As a woman from a country under occupation, her own body becomes the site of power struggles, a site of cleansing rather than being ethnically cleansed out.

Her protagonist says “the women in my family placed lot of importance on being clean … perhaps because there was little else they could control in their lives.”

The narrative is mercurial in its depiction of her cleansing rituals that are juxtaposed with glimmers of violent and disturbing psychopathic thoughts, making her not just an intriguing protagonist to read, but an elusive one.

The Yazidi nightmare
Ten years after the genocide, their torment continues
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Indian channel pulls popular show ‘Barzakh’ from YouTube Pakistan after public outcry

Indian channel pulls popular show ‘Barzakh’ from YouTube Pakistan after public outcry
Updated 06 August 2024
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Indian channel pulls popular show ‘Barzakh’ from YouTube Pakistan after public outcry

Indian channel pulls popular show ‘Barzakh’ from YouTube Pakistan after public outcry
  • ‘Barzakh’ stirred a controversy in Pakistan when some viewers said they considered its themes ‘provocative’ and anti-Islam
  • The show stars Fawad Khan, Sanam Saeed, Khushhal Khan, Sajid Hasan, Salman Shahid, Nighat Choudhry and Uzma Beg

ISLAMABAD: Indian entertainment channel ‘Zindagi’ announced on Tuesday that it would be removing its popular series, ‘Barzakh,’ from YouTube Pakistan amid a public outcry over the content of the fantasy drama series.
The show stars Fawad Khan, Sanam Saeed, Khushhal Khan, Sajid Hasan, Salman Shahid, Nighat Choudhry and Uzma Beg. It premiered on July 19.
Directed by Asim Abbasi, the drama stirred a controversy in Pakistan when many viewers said they considered its themes “bold,” “provocative” and against Islamic values. 
“In light of the current public sentiment in Pakistan, we have made the decision to voluntarily withdraw Barzakh from YouTube Pakistan, effective August 9, 2024,” Zindagi said in an Instagram post.
“This decision underscores our dedication to honoring our audiences without causing alienation.”
The channel extended its gratitude to its global audience for their support for Barzakh, a show it said was “created to bring people together everywhere.”
The final episode of the fantasy drama is scheduled to air at 8pm on Tuesday. People in Pakistan can watch the show on YouTube until August 9.
The story of the show centers around a reclusive 76-year-old man who invites his estranged family to his remote valley resort for an unusual event – his wedding to the ghost of his first love, prompting reflections on life’s mysteries, the afterlife and the enduring power of love. The series tackles themes of mental health, postpartum depression, generational trauma and gender inclusivity. It also explores the role of folklore in human experience. The controversy began when two of the male leads in the series nearly share an intimate moment.