REVIEW: ‘Time Bandits’ adaptation channels its Monty Python roots 

Lisa Kudrow (left) and Kal-El Tuck (front, center) in ‘Time Bandits.’ (Apple TV+)
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Updated 01 August 2024
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REVIEW: ‘Time Bandits’ adaptation channels its Monty Python roots 

REVIEW: ‘Time Bandits’ adaptation channels its Monty Python roots 
  • Apple’s new comedy series reimagines Terry Gilliam’s time-hopping cult classic 

LONDON: It’s hard to think of many people better suited to breathe new life into Terry Gilliam’s 1981 surrealist comedy film “Time Bandits” than Jermaine Clement and Taika Waititi (creators and stars of “What We Do in the Shadows”), and Iain Morris (co-creator of “The Inbetweeners”). After all, helmers like that clearly know how to tread the fine line between silly fun and silly stupid, and the backing of Apple TV+ means none of the low-tech effects and plywood sets typical of the original movie. Although some might argue that its Eighties aesthetic gives Gilliam’s film much of its now-beloved charm. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Apple TV (@appletv)

So all the signs for this big-budget remake series — which follows a cohort of time-travelling thieves and a starry-eyed nerdy kid who ends up being their newest recruit — are good. Kevin (newcomer Kal-El Tuck) is a history-obsessed 11-year-old with no friends, and a family that doesn’t get him. So when the Time Bandits, led by Penelope (Lisa Kudrow), stumble into his bedroom as they traverse time and space, Kevin wastes no time in tagging along. As he learns, the troupe have stolen a map of the universe from the supreme being (Waititi), and attracted the attention of the sinister Pure Evil (Clement). They now find themselves pursued by an array of wondrous and terrifying characters as they hopscotch through the history books Kevin loves so much. 

With 10 episodes (two of which were available at the time of writing) to play with, instead of a 90-minute movie, Clement, Waititi and Morris have much more freedom to indulge their silly imaginations — and they manage a good approximation of that post-Monty Python, Gilliam-esque humor — as they lampoon historical figures from across the ages.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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In Tuck they have a pleasant-enough child star, but the master stroke here is Kudrow as the ceaselessly sardonic leader of the Bandits. For while the script is decent, it’s Penelope’s wearied frustrations with her fellow thieves — and her hilariously unfounded distrust of a very polite 11-year-old boy — that give this show its hook.  

The new “Time Bandits” might have streaming-money polish, but it’s still got that unerringly charming, wonderfully silly, Gilliam heart. 


Backstreet Boys returning to Etihad Arena in Abu Dhabi in October

Backstreet Boys returning to Etihad Arena in Abu Dhabi in October
Updated 07 August 2024
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Backstreet Boys returning to Etihad Arena in Abu Dhabi in October

Backstreet Boys returning to Etihad Arena in Abu Dhabi in October
  • After a presale on Thursday, tickets go on sale to the general public on Friday at noon; prices start at 295 dirhams
  • The concert comes less than 18 months after their previous concert at the venue, which was part of their DNA World Tour

BEIRUT: Etihad Arena in Abu Dhabi will welcome back American group the Backstreet Boys on Oct. 23, less than 18 months after their previous concert there in May last year.
Tickets for the 2023 gig, which was part of their DNA World Tour, sold out within six hours, making it one of the fastest-selling arena shows in the UAE.
Emirati newspaper The National reported on Wednesday that Nick Carter, Howie Dorough, AJ McLean and Brian Littrell will perform but fellow member Kevin Richardson will be absent because of scheduling issues.
Presale tickets will be available on the Live Nation website on Thursday before general sales begin at noon on Friday. Prices start at 295 dirhams ($80).
In our review of last year’s DNA World Tour concert, Arab News described it as a polished show with high production values that was flawless from start to finish. We said the vocals were pitch perfect, the harmonies deep, strong and vibrant, and the dance moves smoother than butter. Band members also took plenty of time between songs to talk to the audience and among themselves, and the chemistry between them was clearly still strong.
At one point, Carter, who stole the show with his incredible solo showcases, especially on “Shape of My Heart,” stopped the show and said: “I have to say something. Honest to God, coming from me, Abu Dhabi is probably the most beautiful place I’ve been to in the entire world. We love it here. I think I’m going to buy a house here.”
In January the group, which formed in 1993 in Florida and found fame with debut album “Backstreet Boys” in 1996, were on fire when they performed in Riyadh, headlining the Diriyah E-Prix after-race concerts. They enthralled the crowd with their infectious energy, signature harmonies, and a set list packed with timeless tracks.


Princess Rajwa of Jordan leaves hospital with newborn Princess Iman

Princess Rajwa of Jordan leaves hospital with newborn Princess Iman
Updated 07 August 2024
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Princess Rajwa of Jordan leaves hospital with newborn Princess Iman

Princess Rajwa of Jordan leaves hospital with newborn Princess Iman

DUBAI: Princess Rajwa of Jordan was discharged on Wednesday after giving birth to Princess Iman on Aug. 3.

Rajwa, who has Saudi origins, left the hospital accompanied by her husband, Crown Prince Hussein bin Abdullah, and their newborn daughter.

 

 

The family was greeted by the hospital staff and members of the public as they departed.

The princess wore a long, flowy dress featuring a blue and white floral pattern. The dress had a shirt-style design with a collared neckline and long sleeves, giving it a casual yet elegant appearance.

The waist is slightly cinched, which added structure to the otherwise relaxed fit of the dress. Rajwa paired the dress with white sneakers.

The Yazidi nightmare
Ten years after the genocide, their torment continues
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Jessica Kahawaty showcases luxury watchmaker in latest collaboration

Jessica Kahawaty showcases luxury watchmaker in latest collaboration
Updated 07 August 2024
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Jessica Kahawaty showcases luxury watchmaker in latest collaboration

Jessica Kahawaty showcases luxury watchmaker in latest collaboration
  • Current tie-up is with leading Swiss manufacturer
  • Australian Lebanese model works with top brands

DUBAI: Australian-Lebanese model and entrepreneur Jessica Kahawaty has added another brand campaign to her portfolio, this time with Breitling.

This week, she took to Instagram to share photos from her collaboration with the Swiss luxury watchmaker. In the series of images, she is seen wearing the brand’s Superocean Automatic 36 watch.

This product features a white dial with multicolored hour markers, including shades of yellow, orange, green, blue, red and purple. The case is crafted from stainless steel, while the unidirectional rotating bezel is accented with rose gold.

The watch includes rose gold hands with luminescent material, ensuring visibility in low-light conditions. The second hand is green, aligning with the green text on the dial. The timepiece is fitted with a white rubber strap designed for comfort and durability.

The Superocean Automatic 36 offers water resistance up to 300 meters, making it suitable for diving.

“If summer was a watch, it would be the Superocean Automatic 36. A smaller, colourful and sunnier dial,” Kahawaty captioned her Instagram post.

In the pictures, Kahawaty wore a sleeveless crop top featuring a vibrant floral print in bold colors, paired with a high-waisted, long white skirt. The skirt is detailed with two large fabric roses on the hip.

She accessorized her outfit with a wide-brimmed white hat and white open-toe sandals featuring a bow detail.

The model has featured in campaigns for numerous international brands, including Boss, Versace, CH Carolina Herrera, Gucci, Tod’s and Boucheron.

Her most recent collaboration was with the British luxury cosmetics label Charlotte Tilbury.

The model appeared in a video campaign promoting the brand’s Love Frequency perfume, which is described as a floral woody musk fragrance for women and men.

Earlier this year, she unveiled her latest project with Boss. In March, she shared polaroid-style pictures from the shoot with her Instagram followers and wrote: “Double B, Every Me. Because there’s more than one way to be a BOSS.”

 

 

That same month, Kahawaty also showcased her collaboration with Versace for Ramadan, just days after working on a similar campaign with the New York-based label CH Carolina Herrera.

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Review: Debut novel of Palestinian writer explores exile, displacement through the female body

Review: Debut novel of Palestinian writer explores exile, displacement through the female body
Updated 07 August 2024
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Review: Debut novel of Palestinian writer explores exile, displacement through the female body

Review: Debut novel of Palestinian writer explores exile, displacement through the female body
  • Yasmin Zaher’s ‘The Coin’ delves into power imbalances, consumerism, elitist nature of fashion and wealth

JEDDAH: The 2024 novel “The Coin,” is the dizzying debut of Jerusalem-born Palestinian writer Yasmin Zaher, which hones in on the female body, and is written in a stream-of-consciousness narrative style.

Titled after a shekel coin the unnamed female protagonist believes she swallowed as a child, and is rusting and decomposing in her, the novel is essentially about an affluent yet displaced woman’s exploration — on her own terms —  of the pain and pleasures of life.

Zaher writes about the unraveling, or rather the becoming, of a Palestinian woman who moves to New York City with the hope of starting life afresh as a schoolteacher.

The coin is “resurrected” here, amid the dirt and poverty that plagues the American city, which the protagonist describes as: “How could the devil be the dream?” It seems to manifest as discomfort, linking the traumas of the past to her present.

The narrator befriends a homeless, yet elegant man whom she gets embroiled with in a Birkin scam. This is an exploration of the cosmopolitan city life’s obsession with consumerism and materialism, as well as the performative and elitist nature of fashion and wealth.

With a closet full of designer pieces, the woman’s refined taste in fashion is a ruse to help her navigate societal expectations against the call of her inner self. She asks herself: “I wondered what my true essence would be, if I were solitary, in nature, untamed and unconditioned?”

She is from Palestine, which she describes as “neither a country, nor the third world, it was its own thing.”

Moving to the Big Apple in pursuit of home and her ideal self, this triggers obsessive cleaning rituals because the city “embraced the dirt like it was an aesthetic.”

As a woman from a country under occupation, her own body becomes the site of power struggles, a site of cleansing rather than being ethnically cleansed out.

Her protagonist says “the women in my family placed lot of importance on being clean … perhaps because there was little else they could control in their lives.”

The narrative is mercurial in its depiction of her cleansing rituals that are juxtaposed with glimmers of violent and disturbing psychopathic thoughts, making her not just an intriguing protagonist to read, but an elusive one.

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Indian channel pulls popular show ‘Barzakh’ from YouTube Pakistan after public outcry

Indian channel pulls popular show ‘Barzakh’ from YouTube Pakistan after public outcry
Updated 06 August 2024
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Indian channel pulls popular show ‘Barzakh’ from YouTube Pakistan after public outcry

Indian channel pulls popular show ‘Barzakh’ from YouTube Pakistan after public outcry
  • ‘Barzakh’ stirred a controversy in Pakistan when some viewers said they considered its themes ‘provocative’ and anti-Islam
  • The show stars Fawad Khan, Sanam Saeed, Khushhal Khan, Sajid Hasan, Salman Shahid, Nighat Choudhry and Uzma Beg

ISLAMABAD: Indian entertainment channel ‘Zindagi’ announced on Tuesday that it would be removing its popular series, ‘Barzakh,’ from YouTube Pakistan amid a public outcry over the content of the fantasy drama series.
The show stars Fawad Khan, Sanam Saeed, Khushhal Khan, Sajid Hasan, Salman Shahid, Nighat Choudhry and Uzma Beg. It premiered on July 19.
Directed by Asim Abbasi, the drama stirred a controversy in Pakistan when many viewers said they considered its themes “bold,” “provocative” and against Islamic values. 
“In light of the current public sentiment in Pakistan, we have made the decision to voluntarily withdraw Barzakh from YouTube Pakistan, effective August 9, 2024,” Zindagi said in an Instagram post.
“This decision underscores our dedication to honoring our audiences without causing alienation.”
The channel extended its gratitude to its global audience for their support for Barzakh, a show it said was “created to bring people together everywhere.”
The final episode of the fantasy drama is scheduled to air at 8pm on Tuesday. People in Pakistan can watch the show on YouTube until August 9.
The story of the show centers around a reclusive 76-year-old man who invites his estranged family to his remote valley resort for an unusual event – his wedding to the ghost of his first love, prompting reflections on life’s mysteries, the afterlife and the enduring power of love. The series tackles themes of mental health, postpartum depression, generational trauma and gender inclusivity. It also explores the role of folklore in human experience. The controversy began when two of the male leads in the series nearly share an intimate moment.