Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 

Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 
Villa Hegra will connect two fundamental elements of AlUla's landscape, the urban plot and the oasis. (Supplied)
Short Url
Updated 01 August 2024
Follow

Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 

Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 
  • The CEO of the Saudi-French cultural hub discusses its achievements so far and plans for the future 
 

DUBAI: The Saudi-French cultural institution Villa Hegra — intended as “an incubator for artists and creators” — celebrated the first anniversary of its pre-opening program in July. It has been a year marked by a wide range of cultural activities and concerts, artistic retreats and research programs in the heart of AlUla as part of Villa Hegra’s first pre-opening cycle, which runs until the end of this year.  

Villa Hegra was officially established in an intergovernmental agreement signed on Dec. 4, 2021, by Saudi Arabia’s Minister of Culture Prince Badr bin Abdullah Al-Saud and Jean-Yves Le Drian, then-French minister of foreign affairs, now president of AfAlula (the French Agency for AlUla Development). One of Villa Hegra’s goals is to foster cultural dialogue between Saudi Arabia and France. 




Artists from the Opera National de Paris met with students of the AlUla Music Hub, as part of the Villa’s recent partnership with the opera. (Supplied)

“It is not a private initiative. It is a state-to-state initiative that represents the willingness of two parties to collaborate at the cultural level,” Fériel Fodil, CEO of Villa Hegra, told Arab News’ French edition. “The villa will be a cluster of three assets: the cultural center, where the artist residencies will take place, and which will include a school for tourism and hospitality (Firendi AlUla); an apartment hotel with 80 rooms; and the villa itself.” 

The ultimate aim is to foster dialogue between both international and regional artists, local communities, and the oasis of AlUla. 

“When I think about architects, I go back to their ethos around working with nature rather than against it. When I think about the villa, I want to build humble yet impactful programs (for it),” Fodil said. “Architects in Alula add, complete, and transform. They build around trees to preserve the oasis.” 




American-Saudi artist Sarah Brahim and French artist Ugo Schiavi were the first of Villa Hegra's artists to travel to AlUla in July 2023, as part of the Villa's first preopening cycle. (Supplied)

Villa Hegra will be home to spaces for the performing arts, dancing, research, a digital studio, visual arts exhibitions, and yoga and fitness. It will also host artist residencies. The cultural center and the artist residencies are scheduled to launch towards the end of 2026, following the year-long second cycle of the pre-opening program. The hotel and Firendi AlUla should open in 2027.  

Part of Villa Hegra will also be dedicated to a regeneration of the town’s oasis, and the 10-hectare site itself will connect two fundamental elements of AlUla's landscape: the urban and the natural.  

“We are not (an add-on), we are rooted within the town,” said Fodil. “It is a very dense plot, and then very scattered in the oasis part. That (design) is going back to the heritage of AlUla where you have a winter farm and a ‘rihla’ — or journey — between the winter farm and the summer farm.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Villa Hegra (@villahegra)

Villa Hegra has already initiated research into the cultural and socio-economic impact of cultural activations by the Royal Commission for AlUla on the local community. “The cultural center’s main objective is to engage with the community. We are working on the cultural program to reach the villa’s local and international ambition equally,” Fodil said. 

“We are trying to have a number of pre-opening programs — exhibitions for artist residencies, and public outreach activities, around podcasts, publications, and cinema,” she continued. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Villa Hegra (@villahegra)

Naturally, French culture will play a major role. Following a successful concert organized by Villa Hegra at Maraya Concert Hall in January, the Opéra national de Paris will be back in AlUla to perform and to hold further workshops. The villa’s partnership with the Opéra national de Paris is in line with the Kingdom’s cultural ambitions, with the Royal Diriyah Opera House set to open in 2028. 

And over the past year, Villa Hegra has partnered with several leading French institutions to offer unique cultural initiatives, enrich AlUla’s cultural landscape, and facilitate the exchange of knowledge between Saudi Arabia and France. More than 20 French and Saudi artists have been collaborating and sharing knowledge at the villa, and more than 300 children and teenagers from the local community have participated in multidisciplinary workshops. There have also been talks given by experts in the fields of music, cinema, visual arts, architecture and the performing arts. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Villa Hegra (@villahegra)

As part of its second pre-opening cycle, along with the performance from the Opéra national de Paris, the villa will also host a science and arts workshop for children and teenagers, and a week of initiation into moviemaking and the history of cinema. 

The distinctiveness of the villa lies in its duality — Saudi and French, urban and oasis, open to children and adults, and with a local and international outreach. 

Partnerships are essential to the cultural identity of Villa Hegra. Whether through student exchange programs, research, or live events, the objective is to build momentum around art in the region. 

“We are also trying to find partners from the Saudi side, such as Hayy Jameel in Jeddah,” Fodil said. “We are looking for partnerships that have a look and feel of dialogue and have a training component to them, while bringing the best of both French and Saudi expertise.” 


Backstreet Boys returning to Etihad Arena in Abu Dhabi in October

Backstreet Boys returning to Etihad Arena in Abu Dhabi in October
Updated 07 August 2024
Follow

Backstreet Boys returning to Etihad Arena in Abu Dhabi in October

Backstreet Boys returning to Etihad Arena in Abu Dhabi in October
  • After a presale on Thursday, tickets go on sale to the general public on Friday at noon; prices start at 295 dirhams
  • The concert comes less than 18 months after their previous concert at the venue, which was part of their DNA World Tour

BEIRUT: Etihad Arena in Abu Dhabi will welcome back American group the Backstreet Boys on Oct. 23, less than 18 months after their previous concert there in May last year.
Tickets for the 2023 gig, which was part of their DNA World Tour, sold out within six hours, making it one of the fastest-selling arena shows in the UAE.
Emirati newspaper The National reported on Wednesday that Nick Carter, Howie Dorough, AJ McLean and Brian Littrell will perform but fellow member Kevin Richardson will be absent because of scheduling issues.
Presale tickets will be available on the Live Nation website on Thursday before general sales begin at noon on Friday. Prices start at 295 dirhams ($80).
In our review of last year’s DNA World Tour concert, Arab News described it as a polished show with high production values that was flawless from start to finish. We said the vocals were pitch perfect, the harmonies deep, strong and vibrant, and the dance moves smoother than butter. Band members also took plenty of time between songs to talk to the audience and among themselves, and the chemistry between them was clearly still strong.
At one point, Carter, who stole the show with his incredible solo showcases, especially on “Shape of My Heart,” stopped the show and said: “I have to say something. Honest to God, coming from me, Abu Dhabi is probably the most beautiful place I’ve been to in the entire world. We love it here. I think I’m going to buy a house here.”
In January the group, which formed in 1993 in Florida and found fame with debut album “Backstreet Boys” in 1996, were on fire when they performed in Riyadh, headlining the Diriyah E-Prix after-race concerts. They enthralled the crowd with their infectious energy, signature harmonies, and a set list packed with timeless tracks.


Princess Rajwa of Jordan leaves hospital with newborn Princess Iman

Princess Rajwa of Jordan leaves hospital with newborn Princess Iman
Updated 07 August 2024
Follow

Princess Rajwa of Jordan leaves hospital with newborn Princess Iman

Princess Rajwa of Jordan leaves hospital with newborn Princess Iman

DUBAI: Princess Rajwa of Jordan was discharged on Wednesday after giving birth to Princess Iman on Aug. 3.

Rajwa, who has Saudi origins, left the hospital accompanied by her husband, Crown Prince Hussein bin Abdullah, and their newborn daughter.

 

 

The family was greeted by the hospital staff and members of the public as they departed.

The princess wore a long, flowy dress featuring a blue and white floral pattern. The dress had a shirt-style design with a collared neckline and long sleeves, giving it a casual yet elegant appearance.

The waist is slightly cinched, which added structure to the otherwise relaxed fit of the dress. Rajwa paired the dress with white sneakers.

The Yazidi nightmare
Ten years after the genocide, their torment continues
Enter
keywords

Jessica Kahawaty showcases luxury watchmaker in latest collaboration

Jessica Kahawaty showcases luxury watchmaker in latest collaboration
Updated 07 August 2024
Follow

Jessica Kahawaty showcases luxury watchmaker in latest collaboration

Jessica Kahawaty showcases luxury watchmaker in latest collaboration
  • Current tie-up is with leading Swiss manufacturer
  • Australian Lebanese model works with top brands

DUBAI: Australian-Lebanese model and entrepreneur Jessica Kahawaty has added another brand campaign to her portfolio, this time with Breitling.

This week, she took to Instagram to share photos from her collaboration with the Swiss luxury watchmaker. In the series of images, she is seen wearing the brand’s Superocean Automatic 36 watch.

This product features a white dial with multicolored hour markers, including shades of yellow, orange, green, blue, red and purple. The case is crafted from stainless steel, while the unidirectional rotating bezel is accented with rose gold.

The watch includes rose gold hands with luminescent material, ensuring visibility in low-light conditions. The second hand is green, aligning with the green text on the dial. The timepiece is fitted with a white rubber strap designed for comfort and durability.

The Superocean Automatic 36 offers water resistance up to 300 meters, making it suitable for diving.

“If summer was a watch, it would be the Superocean Automatic 36. A smaller, colourful and sunnier dial,” Kahawaty captioned her Instagram post.

In the pictures, Kahawaty wore a sleeveless crop top featuring a vibrant floral print in bold colors, paired with a high-waisted, long white skirt. The skirt is detailed with two large fabric roses on the hip.

She accessorized her outfit with a wide-brimmed white hat and white open-toe sandals featuring a bow detail.

The model has featured in campaigns for numerous international brands, including Boss, Versace, CH Carolina Herrera, Gucci, Tod’s and Boucheron.

Her most recent collaboration was with the British luxury cosmetics label Charlotte Tilbury.

The model appeared in a video campaign promoting the brand’s Love Frequency perfume, which is described as a floral woody musk fragrance for women and men.

Earlier this year, she unveiled her latest project with Boss. In March, she shared polaroid-style pictures from the shoot with her Instagram followers and wrote: “Double B, Every Me. Because there’s more than one way to be a BOSS.”

 

 

That same month, Kahawaty also showcased her collaboration with Versace for Ramadan, just days after working on a similar campaign with the New York-based label CH Carolina Herrera.

The Yazidi nightmare
Ten years after the genocide, their torment continues
Enter
keywords

Review: Debut novel of Palestinian writer explores exile, displacement through the female body

Review: Debut novel of Palestinian writer explores exile, displacement through the female body
Updated 07 August 2024
Follow

Review: Debut novel of Palestinian writer explores exile, displacement through the female body

Review: Debut novel of Palestinian writer explores exile, displacement through the female body
  • Yasmin Zaher’s ‘The Coin’ delves into power imbalances, consumerism, elitist nature of fashion and wealth

JEDDAH: The 2024 novel “The Coin,” is the dizzying debut of Jerusalem-born Palestinian writer Yasmin Zaher, which hones in on the female body, and is written in a stream-of-consciousness narrative style.

Titled after a shekel coin the unnamed female protagonist believes she swallowed as a child, and is rusting and decomposing in her, the novel is essentially about an affluent yet displaced woman’s exploration — on her own terms —  of the pain and pleasures of life.

Zaher writes about the unraveling, or rather the becoming, of a Palestinian woman who moves to New York City with the hope of starting life afresh as a schoolteacher.

The coin is “resurrected” here, amid the dirt and poverty that plagues the American city, which the protagonist describes as: “How could the devil be the dream?” It seems to manifest as discomfort, linking the traumas of the past to her present.

The narrator befriends a homeless, yet elegant man whom she gets embroiled with in a Birkin scam. This is an exploration of the cosmopolitan city life’s obsession with consumerism and materialism, as well as the performative and elitist nature of fashion and wealth.

With a closet full of designer pieces, the woman’s refined taste in fashion is a ruse to help her navigate societal expectations against the call of her inner self. She asks herself: “I wondered what my true essence would be, if I were solitary, in nature, untamed and unconditioned?”

She is from Palestine, which she describes as “neither a country, nor the third world, it was its own thing.”

Moving to the Big Apple in pursuit of home and her ideal self, this triggers obsessive cleaning rituals because the city “embraced the dirt like it was an aesthetic.”

As a woman from a country under occupation, her own body becomes the site of power struggles, a site of cleansing rather than being ethnically cleansed out.

Her protagonist says “the women in my family placed lot of importance on being clean … perhaps because there was little else they could control in their lives.”

The narrative is mercurial in its depiction of her cleansing rituals that are juxtaposed with glimmers of violent and disturbing psychopathic thoughts, making her not just an intriguing protagonist to read, but an elusive one.

The Yazidi nightmare
Ten years after the genocide, their torment continues
Enter
keywords

Indian channel pulls popular show ‘Barzakh’ from YouTube Pakistan after public outcry

Indian channel pulls popular show ‘Barzakh’ from YouTube Pakistan after public outcry
Updated 06 August 2024
Follow

Indian channel pulls popular show ‘Barzakh’ from YouTube Pakistan after public outcry

Indian channel pulls popular show ‘Barzakh’ from YouTube Pakistan after public outcry
  • ‘Barzakh’ stirred a controversy in Pakistan when some viewers said they considered its themes ‘provocative’ and anti-Islam
  • The show stars Fawad Khan, Sanam Saeed, Khushhal Khan, Sajid Hasan, Salman Shahid, Nighat Choudhry and Uzma Beg

ISLAMABAD: Indian entertainment channel ‘Zindagi’ announced on Tuesday that it would be removing its popular series, ‘Barzakh,’ from YouTube Pakistan amid a public outcry over the content of the fantasy drama series.
The show stars Fawad Khan, Sanam Saeed, Khushhal Khan, Sajid Hasan, Salman Shahid, Nighat Choudhry and Uzma Beg. It premiered on July 19.
Directed by Asim Abbasi, the drama stirred a controversy in Pakistan when many viewers said they considered its themes “bold,” “provocative” and against Islamic values. 
“In light of the current public sentiment in Pakistan, we have made the decision to voluntarily withdraw Barzakh from YouTube Pakistan, effective August 9, 2024,” Zindagi said in an Instagram post.
“This decision underscores our dedication to honoring our audiences without causing alienation.”
The channel extended its gratitude to its global audience for their support for Barzakh, a show it said was “created to bring people together everywhere.”
The final episode of the fantasy drama is scheduled to air at 8pm on Tuesday. People in Pakistan can watch the show on YouTube until August 9.
The story of the show centers around a reclusive 76-year-old man who invites his estranged family to his remote valley resort for an unusual event – his wedding to the ghost of his first love, prompting reflections on life’s mysteries, the afterlife and the enduring power of love. The series tackles themes of mental health, postpartum depression, generational trauma and gender inclusivity. It also explores the role of folklore in human experience. The controversy began when two of the male leads in the series nearly share an intimate moment.