Film review: ‘Oddity’ tells the story of Dani, the wife of a psychiatrist

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Updated 04 August 2024
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Film review: ‘Oddity’ tells the story of Dani, the wife of a psychiatrist

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  • Winner of the 2024 Audience Award in the Midnighter section of the South by Southwest Film and TV Festival, it is clear to see why it received such acclaim as it has love, loss and a little bit of magic

The new film “Oddity” is aptly titled. The film opened in July in the US and started showing in August at Saudi cinemas.

It tells the story of Dani, the wife of a psychiatrist, who is brutally murdered in her home. Her twin sister Darcy goes after those responsible by using haunted items as her tools for revenge.

Winner of the 2024 Audience Award in the Midnighter section of the South by Southwest Film and TV Festival, it is clear to see why it received such acclaim as it has love, loss and a little bit of magic.

Little Willie John’s soulful R&B hit “Now You Know,” from 1958, plays throughout the film, fusing the sad nostalgic vibes of the emotional lyrics to the uneasy viewing experience. Both the film and the song express heartache and betrayal.

Gwilym Lee, who played guitarist Brian May in the 2018 Queen biopic “Bohemian Rhapsody,” is great in his role as Dr. Ted Timmis. Carolyn Bracken is excellent as the dark-haired Dani, and her twin, Darcy.

Lush cinematography, courtesy of Colm Hogan, and the gorgeous Irish landscape provide the perfect backdrop to this eerie indoor narrative. Every frame feels like it could be a still photo — a true work of art.

The film was written and directed by Damian McCarthy.

It is in the paranormal horror genre, so expect the unexpected. Packages mysteriously arrive at the house and contain so much wonder within. But be warned: there is a lot of blood.

The film made me uncomfortable at times, but given the genre, that feeling provides the highest compliment to the filmmaker.

 


Princess Rajwa of Jordan leaves hospital with newborn Princess Iman

Princess Rajwa of Jordan leaves hospital with newborn Princess Iman
Updated 07 August 2024
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Princess Rajwa of Jordan leaves hospital with newborn Princess Iman

Princess Rajwa of Jordan leaves hospital with newborn Princess Iman

DUBAI: Princess Rajwa of Jordan was discharged on Wednesday after giving birth to Princess Iman on Aug. 3.

Rajwa, who has Saudi origins, left the hospital accompanied by her husband, Crown Prince Hussein bin Abdullah, and their newborn daughter.

 

 

The family was greeted by the hospital staff and members of the public as they departed.

The princess wore a long, flowy dress featuring a blue and white floral pattern. The dress had a shirt-style design with a collared neckline and long sleeves, giving it a casual yet elegant appearance.

The waist is slightly cinched, which added structure to the otherwise relaxed fit of the dress. Rajwa paired the dress with white sneakers.

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Indie/alternative band from Jeddah connects with the power of sound

Formed in 2019, Ana.n7n blends rock with traditional Arabic music, with Hejazi lyrics and societal themes. (Supplied)
Formed in 2019, Ana.n7n blends rock with traditional Arabic music, with Hejazi lyrics and societal themes. (Supplied)
Updated 06 August 2024
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Indie/alternative band from Jeddah connects with the power of sound

Formed in 2019, Ana.n7n blends rock with traditional Arabic music, with Hejazi lyrics and societal themes. (Supplied)
  • We have lived and faced the change in Saudi Arabia, says Ana.n7n member

JEDDAH: An indie-alternative band from Jeddah is making waves in the region’s budding music scene after signing with Wall of Sound Records, who published and mixed their debut album.

Ana.n7n’s members include Malik Zubaila on vocals and synth, Saleh Binsaif on percussion and keys, Shaher Karkashan and Saif Mufti on bass, Maan Balila on drums and visuals, and Hasnain Shaikh as live sessional drummer.

Formed in 2019, Ana.n7n blends rock with traditional Arabic music, with Hejazi lyrics and societal themes. (Supplied)

Formed in 2019, the band blends rock with traditional Arabic music, with Hejazi lyrics and societal themes. The name, Ana.n7n, translates as “I. We.”

“We’ve mixed our traditional Hejazi culture with the western sound of music to create our unique sound,” Zubaila told Arab News. “Speaking with our mother tongue has brought us greater acceptance from local and Saudi audiences, even those who aren’t traditionally fans of rock or western music.”

It’s a gift that we are living in Saudi Arabia and experiencing the improvement and support the government is offering to all musicians nowadays.

Malik Zubaila, Ana.n7n vocalist

The band’s sound is a captivating fusion of heavy basslines, layered synths and piercing Arabic percussion. Released at the end of July, their debut album — the 15-track “Fe Makanen Ma … Fe Zamanen Ma …” (“In a Place … In a Time …”) — is the culmination of four years of creative exploration. It includes remastered singles and new tracks featuring collaborations with artists such as 7MND from Bahrain, Abzy from Kuwait, and Ghada Sheri from Jeddah.

Formed in 2019, Ana.n7n blends rock with traditional Arabic music, with Hejazi lyrics and societal themes. (Supplied)

“We released some songs as singles … they came together as an album by the end of the road,” Zubaila said.

The music and lyrics of the album reference and reflect on social media addiction and its influence on life.

“We are speaking of the tongue of our people and their addiction to social media and the problems and experiences of social life,” said Zubaila.

Ana.n7n’s music transcends language barriers, resonating with audiences through its raw emotion and honest portrayal of societal issues. As an indie-alternative band, they have faced unique challenges and experiences within the music industry.

“One of the specific challenges we’ve faced is the general inaccessibility and complexity of rock and heavy indie music for many people. This limited our reach initially,” Zubaila told Arab News.

“However, the audience for this genre is incredibly loyal and supportive, which has been a driving force behind our continued efforts and success.”

The band is optimistic about the changing landscape of Saudi music. “It’s a gift that we are living in Saudi Arabia and experiencing the improvement and support the government is offering to all musicians nowadays,” Zubaila said. “We have lived and faced the change.”

He added the band was committed to contributing to the evolution of the Saudi music scene and inspiring future generations of musicians: “We are very excited to be part of the early bands and the change going on in our country, and we hope that our music inspires more generations and artists to come.”

 


Elyanna warms up for rest of world tour as she takes Lollapalooza stage

Elyanna warms up for rest of world tour as she takes Lollapalooza stage
Updated 04 August 2024
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Elyanna warms up for rest of world tour as she takes Lollapalooza stage

Elyanna warms up for rest of world tour as she takes Lollapalooza stage

DUBAI: Chilean-Palestinian music sensation Elyanna has no time to rest as she counts down to the second half of her world tour, which will take her to Europe — but not before she performs a set at the Lollapalooza music festival in Chicago, US.

The singer, who wore a badge representing Palestine on her stage outfit, sang multiple songs from her latest album, including “Ganeni” and “Mama Eh.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Elyanna (@elyanna)

To the crowd’s delight, she also sang a Spanish song, “El muchacho de los ojos tristes,” originally sung by famed Spanish singer Jeanette in 1981.

Last month, Elyanna announced that she is expanding her world tour “Woledto,” with new dates and locations in Europe.

The 22-year-old artist announced on Instagram last month that the tour, from Oct. 5 to Dec. 16, will have 30 stops.

“THE WOLEDTO TOUR from North America to Europe! See you soon,” she wrote to her 1.5 million followers on Instagram.

Her fans quickly took to the comments section, requesting gigs in Lebanon, Dubai, Los Angeles, Australia, Barcelona, Lisbon, Milan and more.

Elyanna, who was the first artist to perform a full set in Arabic at California’s Coachella music festival in 2023, has been normalizing Arabic lyrics in the Western world.

She draws inspiration from artists including Lana Del Ray and Beyonce, as well as Middle East legend Fayrouz.

The Los Angeles-based singer’s music is a mix of Arabic and Western beats, which she attributes to her multicultural upbringing. She is known for her songs “Ghareed Alay,” “Ala Bali,” “Ana Lahale,” and “Mama Eh,” among others.

Elyanna dropped her debut album in April featuring nine songs: “Woledto,” “Ganeni,” “Calling U,” “Al Sham,” “Mama Eh,” “Kon Nafsak,” “Lel Ya Lel,” “Yabn El Eh” and “Sad in Pali.”

Before releasing the album, she wrote to her Instagram followers: “This album is the embodiment of pride to be an Arab woman, to be from Nazareth, to be from the Middle East.

“This is the closest I’ve been to where I come from,” she added. “The only feature on my album is my grandfather.”

In May this year, she made her television debut on “The Late Show with Stephen Colbert.”

The music sensation delivered a medley of hits from her debut album including “Callin’ U (Tamally Maak)” and “Mama Eh,” the first song performed entirely in Arabic on the show.
 


Kuwaiti adventurer Yousef Al-Refaie’s quest to document the planet’s most extreme environments 

Kuwaiti adventurer Yousef Al-Refaie’s quest to document the planet’s most extreme environments 
Updated 02 August 2024
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Kuwaiti adventurer Yousef Al-Refaie’s quest to document the planet’s most extreme environments 

Kuwaiti adventurer Yousef Al-Refaie’s quest to document the planet’s most extreme environments 
  • The Kuwaiti adventurer discusses his upcoming docuseries ‘Earth’s Extremes’ 

DUBAI: Kuwaiti mountaineer and adventurer Yousef Al-Refaie doesn’t make it easy for himself. For his upcoming documentary series “Earth’s Extremes,” Al-Refaie decided to visit the hottest, driest, wettest and coldest inhabited places on Earth. 

Set to air in the first quarter of 2025, the series will consist of four 45-minute episodes and showcase Al-Refaie’s insatiable curiosity, which has driven him to explore the most extreme environments on the planet. 

The series will consist of four 45-minute episodes and showcase Al-Refaie’s insatiable curiosity. (Supplied)

That curiosity began back in childhood, Al-Refaie tells Arab News. “I was a very curious child,” he recalls. “I would open any magazine I could find and tear apart toys to see how they worked.”  

Growing up, he had access to a vast library of adventure books and National Geographic magazines. “I was fascinated by pictures of mountains and exotic places,” he says. 

The show is set to air in the first quarter of 2025. (Supplied)

After dropping out of law school, he came across an Instagram post about climbing Africa’s highest peak. 

“I told my parents I wanted to go before starting my new major,” he explains. “I ended up climbing Mount Kilimanjaro, and although I initially hated the experience — living in a small tent and enduring the climb — I eventually caught the adventure bug.” 

He went on to complete a double major in political science and public administration but, he says, during every vacation, “instead of traveling with friends or family, I would go to mountains.” 

Dallol, previously believed to be the hottest inhabited place, lies 125 meters below sea level. It's a harsh environment where no life can exist anymore due to grueling heat and toxic gases emitted from the volcano. (Supplied)

So far, Al-Refaie and his team have completed filming on three episodes of “Earth’s Extremes.” The “Wettest” episode was shot in July 2023 in the rain-soaked landscapes of Mawsynram and Cherrapunji in India; the “Hottest” episode was filmed in December 2023 in the scorching Afar region of Ethiopia; and the “Driest” episode in the Atacama Desert in Chile, in April and May of this year. 

The team meticulously researched and analyzed maps, discovering that many locations they would visit were either just names, with no information readily available, or ruins of abandoned towns. 

“We live in an era where everything is at our fingertips; I can search for anything and find the answer. But that was not the case for the Atacama Desert and Quillagua (an oasis in Chile recognized by Guinness World Records as the driest place on Earth),” he explaines. “We had to go to every station near Quillagua and gather all the records from the 1960s and 1970s. The most recent records they had were from 2003 and 2004.” 

The team and local historian Fedal Arinsiva standing on the ancient Inca road in Inca del Oro, which dates back to the 15th century as part of the Qhapaq Ñan, spanning approximately 30,000 kilometers across South America. (Supplied)

Another significant challenge he encountered in Chile was the language barrier. “The first time (we went), I couldn’t pronounce the name of any of the towns,” he says. 

Meticulous preparation is key for all Al-Refaie’s expeditions, he stresses. “Planning, reading, and asking people questions are the three most important things to do before our trips,” he says. “Locals, especially, play a big role in this. I’ve met scientists and meteorologists, but the most valuable information I’ve received came from a former prisoner of the old dictator of Chile. He owns a museum now. He does not have a degree and he did not study, but he knows the area extremely well. You’d be surprised at the insights you can gain from the people you might least expect to. It’s like a puzzle, and my role is to piece everything together to make the journey successful.” 

Al-Refaie walking inside Erta Ale Volcano. (Supplied)

Combining insights from experts and locals ensures a well-rounded understanding of each location, he adds.  

Despite being the wettest place on Earth, when Al-Refaie and his team arrived in Mawsynram and Cherrapunji, there was no rain for two weeks. “That opened up a new aspect of the expedition — the world is really changing. If there’s no rain in the wettest place on Earth, there’s definitely something wrong,” he says. “The weather is becoming unpredictable, and those communities rely heavily on agriculture. For eight months of the year, they have rain, but outside of those eight months, they have to buy water from other villages because they do not have dams. They live in extreme conditions, and this is a lesson in resilience and adaptability.” 

Faisal Al-Karam (director), Yousef Al-Refaie (producer and host), and Cristian Ordenes (logistics and guide) from left to right, exploring unprotected archaeological sites around Chañaral. (Supplied)

The final episode will take Al-Refaie to Oymyakon in Siberia, the coldest inhabited place on the planet. Filming is scheduled for December. 

In addition to the documentary, the adventurer plans to release an accompanying book and photobook. All proceeds from the photobook sales will be donated to support communities living in these extreme environments. 

And with the documentary nearing completion, Al-Refaie is already gearing up for his next major challenge: an ambitious endeavor, set for 2026, that will see Al-Refaie and his team attempting to summit three peaks in Asia, rumored to be volcanoes. 

Al-Refaie with fellow explorer James Allen from Australia in the village of Kosowat. (Supplied)

“One of our primary goals is to determine whether these mountains are actually volcanoes,” he said. “If they turn out to be, it would mean the current Volcanic Seven Summits list — which has been completed by more than 30 individuals, including myself — is incorrect. The highest volcano in Asia is currently considered to be Mount Damavand in Iran, but these peaks could change that.” 

Al-Refaie’s team for the trip, who come from the UK, Hungary, the US and Kuwait, is diverse, comprising not just mountaineers but also geographers, geologists and filmmakers. “This expedition is not just about climbing; it's about discovery and potentially correcting a significant aspect of mountaineering history,” he says.  

Al-Refaie encourages other adventurers to break away from conventional paths and seek unique experiences. “Sadly, I always see the same things being done over and over,” he said. “People often think of adventures as climbing Mount Everest, a mountain that has been summited over 7,000 times. Instead, think outside the box. Do what intrigues you.” 

Al-Refaie believes true exploration involves venturing into the unknown and bringing back new information. “Exploration is about going to a place and discovering something new. There is no sense of accomplishment in doing something that has already been done countless times,” he says. “If you really want to explore, you have to step out of your comfort zone and seek out the unknown.”  


Egyptian screenwriter Mariam Naoum to mentor young Saudi female filmmakers 

Egyptian screenwriter Mariam Naoum to mentor young Saudi female filmmakers 
Updated 02 August 2024
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Egyptian screenwriter Mariam Naoum to mentor young Saudi female filmmakers 

Egyptian screenwriter Mariam Naoum to mentor young Saudi female filmmakers 
  • Netflix’s Saudi Female Future Filmmakers Program will launch in September 

JEDDAH: Fifteen new and emerging female filmmakers from Saudi Arabia are about to get the opportunity of a lifetime: mentorship from famed Egyptian screenwriter Mariam Naoum, as part of a new training program from Netflix run in partnership with Naoum’s Sard Writing Room and NEOM Media Industries. 

The first of the Saudi Female Future Filmmakers Program’s two phases will launch in September. 

“The first phase is an intense introduction to the processes of writing, directing and production. It will involve extensive time being spent with all the participants taking them through the basics,” Naoum tells Arab News. “And then the second phase will be more hands-on work done in groups. The participants will be separated or grouped into teams of four or five, and each group will write their own projects or their own short film.” 

Mariam Naoum. (Supplied)

Participants will then be given the opportunity to pitch their scripts to a panel of experts in a simulation pitch exercise at the upcoming Red Sea International Film Festival. They will also be guests at the festival, attending workshops and panel discussions as well as networking events.  

Sard, or the Sard Writing Room, was founded by Naoum in 2016 and is a “dedicated hub” for scriptwriters that has so far spawned 17 TV series and a feature film. Sard is billed as “a safe space for aspiring screenwriters to develop their projects, improve their writing skills, and practice their creative freedom.” 

Netflix previously partnered with Sard to launch the Because She Created writing program in Egypt to train women in writing and develop their storytelling and creative expression skills. 

“Sard believes that expressing oneself through writing is the first step to self-discovery and we’re proud to have discovered talent through this program that we feel will one day become the scriptwriters of the future,” Naoum said at the time. 

When asked about the kind of talent they are looking to attract for the new Saudi-based program, Naoum said: “We are looking for passionate participants. We want to discover indie filmmakers or women who are now looking at filmmaking as a career option and are looking to discover their abilities to express themselves through writing, directing and production. 

The first of the Saudi Female Future Filmmakers Program’s two phases will launch in September. (Supplied)

“We are looking for women who want to tell their own authentic stories, and through the application process, we are trying — through the questions — to discover that with them. The application form features questions like their favorite films, their favorite books, their favorite story that changed the lives, a moment in their life that they appreciate… We are trying to discover them as humans and discover their passion and the reason behind why they are looking into this.” 

Naoum — known for her work on films like “One-Zero” and “Between Two Seas,” as well as TV series including “Take Care of Zizi” — has garnered acclaim for writing stories that focus on issues facing everyday people, especially women. Most of her work is based on true stories. 

“I think this is my way to reflect on what is happening in the region and my feelings toward the society I am living in. I’m always reflecting on current happenings, how we arrived here — how did Egyptians end up at this point in this kind of situation in society? And then I want to share my thoughts with the audience,” she says. 

Naoum is bullish about the prospects for the Saudi entertainment industry. “I think it has great potential because there is a will for doing things and creating opportunities and there is a true wealth in terms of a young generation of filmmakers. And I can see how they are investing in studying cinema with workshops and more. And I think this will lead to a new wave,” she says. 

Applications for the Saudi Female Future Filmmakers Program are open until August 10 for women aged 21 and over, residing in Saudi Arabia with no prior experience working in the film and TV industry.